Extended Tweets: Adventures in Making Informed Amazon Purchases Involving Old Nickelodeon Series

The Japanese version of this post would have been called “Crisis! The Missing 12 Episodes” which, oddly enough, is shorter than the actual title of this post.

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Rocko’s Modern Life: The Complete Series DVD Review

Rocko’s Modern Life was one of those Nicktoons that mixed child and adult tastes alike, thus creating a show that appeals to both demographics. It’s the kind of series that sports a brightly colored, and overall endearing outward appearance, only to reveal its more adult attitude upon re-watches. And with today marking its official Complete Series release, you can now check just how much of the show’s humor actually makes sense to you now.


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Three Animated Series and Counting: Is the new Ninja Turtles Series a Welcome Addition?

Out of all the series/franchises of my childhood, the one that’s withstood the test of time has got to be Teenage Mutant Ninja Turtles. While the series has been integrated into American pop culture by this point, if one were to take somebody who’s never heard of the series in their entire life and try to explain the gist of it to them, they’d probably tell you that Snakes on a Plane would have a better chance of getting an animated adaptation than this… whatever you want to call it. And yet the series has been reborn multiple times, coming in varying waves of popularity and adjusting to the pop culture times as necessary. Having just aired the premier of the new Ninja Turtles on Nickelodeon today, it leads one to ask just what does a reboot—especially a reboot of a popular franchise—have to do to get on the right footing?

The Turtles franchise originated with the darker-in-tone comics published in 1984 and created by Kevin Eastman and Peter Laird. However, it wasn’t until the 1987 animated series that the turtles finally hit the mainstream, spawning all the signs of a cartoon making it big, from t-shirts, action figures, lunch boxes, etc. And for the longest time, and with the exception with a live-action movie or two, the ’87 series was what most people point to when hearing the name. So when rumblings of a reboot series that took a darker tone closer to the original comics was in the works, people were (and probably still are) split. How could something as ridiculous as genetically altered turtles named after Renaissance artists and know ninjutsu ever become more than a comedic cartoon from the ‘80s?

Well regardless of what anyone thought, the reboot series aired in 2003 to relative success, as far as I’m concerned. Not only was there a good seven years between the end of the ‘80s series and the start of this new one, but its ad campaign made a point not to make it something to be compared to the old series with. Rather, it was seen as a separate entity entirely, taking the most basic of aspects that made the ‘80s cartoon a hit (colored bandanas, turtle-centric catchphrases, and the like) and giving it a unique enough spin that to actually compare the two would be unfair for both sides. I specifically remember someone in an interview for the Ninja Turtles movie fresh off the heels of the ’03 cartoon saying “This isn’t your older brother’s Ninja Turtles” which speaks volumes as to how one should approach each new iteration of the series.

It’s now been three years since the end of the second Ninja Turtles cartoon (though similar to the ‘80s cartoon, I might tack on a couple more years since the series went under the radar in later seasons) and we are now entering yet another era of Teenage Mutant Ninja Turtles; another era of kids losing their ever-loving-shit over anthropomorphic turtles; another era of kids liking Michelangelo best; another era of just… turtles. But is it even worth it at this time?

At this point, I’d say it’s about time a third incarnation of the series make its way to TV. This not only marks the third generation of Turtles, but a possible third generation of new fans to get into the series. A large enough gap has been made since the last iteration to clearly distinguish itself, and the previous wave of Turtles popularity has subsided enough to not make any conflicting waves with this new show.

Now, I’m going to deviate just a bit for comparison’s sake and bring in the Spider-Man franchise—another slice of American pop culture that’s been around for years. The sheer amount of Spidey TV series that have aired over the years is enough to warrant the existence of its Wikipedia page, so please bear with me. The animated Spidey shows that ran between the ‘60s to ‘80s can all be lumped together, mainly due to them all having a similar tone as well as animation style, with the latter series clearly being made with reference to its older counterpart. Jump to the two ‘90s series, which while stylistically different from each other, again held a similar overall storytelling style that lumped them together as one. All these series were made with a particular aesthetic in mind, which in turn influenced fan opinion as to which series would be lumped together.

Finally, enter the two new Spider-Man animated series (the 2003 MTV movie-tie-in series doesn’t count by anyone’s standards) made in 2008 and 2012, respectively. The 2008 series is considered by most fans to be the defining television series that unfortunately wasn’t able to live as long as it should have due to the copyright for the adaptation switching from Sony back to Marvel. On the other hand, the 2012 series, while different in every aspect, just comes off as something released in bad taste having been announced shortly after the end of the 2008 series. Some people may say to exclude such unfair outside circumstances when comparing the ’08 and ’12 series, but popular opinion says otherwise. To have something so stylistically different after the plug was pulled on the series prior is just something fans can’t get past.

Would this suggest that fans of either of the previous Turtles series become incredibly wary about this new one? Finding an answer entails having to pick apart the Turtles fanbase.

Let’s be honest; at the end of the day, it’s somehow easier to justify the existence of a franchise where a guy in a red/blue onesie fights crime by shooting silly string, especially when you’re comparing it to a franchise where “ooze” inflicted turtles use their ninja skills as taught to them by a giant rat against the forces of evil. That said, while I’m not fully immersed in either the Spidey or the Turtles fanbase, I’m gonna go out on a limb and say that most Turtles fans are aware of how ridiculous the series foundation is and at this point is open to any type of adaptation as long as it doesn’t involve introducing a fifth turtle member to pull in female viewership.

Upon watching the hour premier of the 2012 Teenage Mutant Ninja Turtles, its tone seems to take a middleground snuggly between the ’87 series and the ’03 series. Jokes are lighthearted and the turtles seem more innocent when exploring the world outside their sewers, but action scenes are beautifully choreographed, even giving the ’03 series a run for its money. On top of that, flashback scenes are told in a rather comicbook-style manner, and even the series’ title logo is incredibly reminiscent of the original Eastman and Laird comics. So while this new series may not be trying to push any boundaries in television, it has taken an excellent job so far in terms of treading familiar grounds in a unique way while taking just the right amount of references from previous incarnations to give previous fans something to look forward to.

TV Block Progress Report: The ’90s Are All That

I’ll admit it. I probably stopped watching this block for a couple months by this point.

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Episodic Review: The Legend of Korra 01 & 02

Earth. Fire. Air. Water.

Daw, it’s been too long, Avatar.

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Initial Thoughts: The ’90s Are All That

If you were to tell me ten years ago, that Nickelodeon made a programming block solely for their ‘90s hits, I would slap you in the face for trying to make me believe such lies. Well the day has finally come. I have just watched Nickelodeon’s first airing of their programming block appropriately called “The ‘90s Are All That,” and I must say… aw cheah.

Ever since Nick’s failed attempt at bringing some of their better known titles to DVD under the title of the Rewind Collection, my main complaint about Nick’s handling of their older titles wasn’t just acknowledging them, but acknowledging them as well as hyping them up properly. Let’s be honest. Who actually heard of the Nick Rewind DVD line? Or Nick’s half-assed attempt at Nicktoons Season sets via amazon exclusive “burn on-demand” DVDs? What Nickelodeon needed was to hype up their older series in this newfangled time when everyone knows everything about something through the crapton of news being spewed out through our various warring social networking sites… and that’s just what happened.

At the start of the month, my twitter feed had a forum-buddy of mine mention the ‘90s Nick block, linking to a commercial for the block on YouTube, and subsequently leading to their facebook page. It’s this crazy-stupid way the internet works—one site repeating what several other sites already repeated—that word begins to spread and how many other Classic Nick fans got word of the news, marking July 22 at midnight Eastern, 9PM Pacific, on the TeenNick channel as the returning time of their good ol’ memories.

Promos for the block continue to show that their marketing campaign is taking a disgustingly yet understandably large amount of hype to the internet, trying to get the word out via hashtags (#90sAllThat, #thingsclarissadidntexplain) as well as linking to their facebook and main website. Their tumblr and official promos also seem to be geared to internet-type humor, with things like pie-charts and screencaps followed by captions in that oh so familiar Impact Font. For years people have been voicing their disappointment with Nickelodeon on their treatment of their older shows via the internet, and it finally looks like they’ve started to pay attention.

So far, the programming block is two hours long (short, but respectable) and contains in this order: All That, Kenan & Kel, Clarissa Explains it All, and Doug. While that’s good for a start, checking through future airings, it looks like those are the only titles we’ll be seeing for a while. However, it has been suggested that future airings will rely on fan opinion, and trailers for the programming block already contain footage from a plethora of other ‘90s Nick shows. The extreme (and ultimately desired) goal would be for the TeenNick channel (consisting of endless blocks of Ned’s Declassified, from what Comcast schedules say) to turn into what everyone expected the Noggin and Nicktoons channel to be prior to their extreme overhaul, consisting of nothing but ‘90s Nick shows 24/7 (:drools:). A more believable short-term goal would be to get something along the lines of an alternating schedule going for “The ‘90s Are All That.” Hell, even Toonami in its prime didn’t consist of solely Dragon Ball Z all week (well, there was the one time, but that was more like fan outcry resulting in the most homogenous thing possible). They could perhaps get something along the lines of a theme going, with Nicktoons and live action shows alternating to every other day, or even just get each day to have a good grab-bag of shows.

Regardless of what they do, it does seem like “The ‘90s Are All That” has taken a good first steps into the world, bringing in enough material to whet everyone’s appetites and leave them craving for more.

Top 5 Series That Have Forever Ruined How I Interact With Girls

Being a blogger, it’s almost expected in clear “racist against bloggers” fashion that I’d be expected to avoid the holiday that is Valentine’s Day, or at the least bash it to death with a Mario-style mallet. On the contrary, while my feelings for Singles Awareness Day are neither here nor there, I felt like the “holiday” at the least was opportunity for me to make another List entry. So here we go, in typical blogger fashion, I shall be blaming my “one is the loneliest number”-ness on my top 5 series that have forever ruined how I interact with girls.

5. Disney Movies

Yeah, I’m starting things a little vague here and figured I’d get into particulars later on. Unlike most children (wow, if that didn’t sound like something spoken in a rehab clinic…) I didn’t grow up on your standard Disney movies. My sister’s a good five years older than me, so I’m pretty sure it’s safe to say that my entire life, I’ve always had the option to pop in any ol’ Disney movie from our collection into the VHS player. And yet when I think back on the movies I remember watching, two of the five or so I remember come to mind that apply to my list: 101 Dalmatians and Robin Hood. With your typical American female growing up on the prince charming delusions brought to you by the folks at Disney, it makes one wonder just what exactly they’ve done to equally jade young impressionable boys throughout the world through their animated musicals featuring anthropomorphic animals in the main leads.

Robin Hood basically worked as a male version of a Disney Princess story, telling it from the perspective of the male lead instead, with the two leads pretty much destined to end up together. 101 Dalmatians takes a different approach, not really being classified as a guy meets girl story, even though that’s what gets the movie started.

Opening scene of the movie, male Dalmatian Pongo leads human owner Roger to the park so he may conveniently bump into female Dalmatian Perdita and her human owner Anita. After some bits of dog-dragging-owner-here-and-there scenes, the two couples finally meet, in what has become one of the most overused movie methods for guy meeting girl: falling into a lake together. The two couples laugh off the incident and are next seen getting married. From my perspective, there are two things Disney is trying to tell me here: 1) Pongo going for a dog of the same breed suggests that interracial (“interbreedal?”) relationships are out of the question and 2) Marriage is as easy as one comedic yet heartwarming instance of guy meeting girl—no questions asked.

5. The Adventures of Pete and Pete

In Nickelodeon’s heyday, live-action shows actually meant something more than a money-grab via some kind of soundtrack tie-in (though ironically enough, this was the only live-action Nick show to have a soundtrack). Pete and Pete told the story of two red-headed brother, both of who go by the name of “Pete.” While the younger Pete has offbeat adventures, the older Pete tends to either go along with them or have his own side-story, usually involving a “flavor of the week” girlfriend.

Oddities of the show aside, I thought it strange for some series to carry along a strict continuity between episodes, while other didn’t. In the case with P&P, characters remained consistent, but their relationships with each other were certainly not set in stone. In particular, the relationship with platonic female friend Ellen was covered multiple times throughout the series’ three season run. However, as was mentioned by the creators in the first season DVD release, older Pete and Ellen tended to fall in and out of love as the episode’s story called for it. So as offbeat and well-written as the series was, it was that same offbeat-edness that made my own awkward years growing up that much more awkward.

4. Boy Meets World

Nothing even has to be said about this series, but for those reading this probably born past 1995, BMW was your classic coming of age story told in a sitcom-style format, spanning from main lead Corey Matthew’s years in the 6th grade to his college years. While the series was able to go strong for the bulk of its 7 season run, you wouldn’t be able to tell that from its first season alone. The show started off humbly enough with standard stories from the 6th grade told in classic sitcom fashion with appointed bullies, jocks, nerds and the like. It wasn’t until its second season that writers found something to milk with the relationship that was Corey and female lead Topanga. The complete polar opposite of older Pete and Ellen, Corey and Topanga’s relationship practically made the series for a majority of viewers to the point that writers must have been pressured to maintain their relationship its entire run. This resulted in the Corey and Topanga power couple: a force so ridiculously unstoppable that any characters that even made an attempt to mess with their relationship were quickly done away with. Nobody past, present, or future will ever have the same relationship-might that was Corey and Topanga, so why even bother?

3. Doug

While it never got as big as Rugrats or Ren & Stimpy, Doug has a right to stand tall with its fellow Classic Nicktoons for making a respectable name of itself (at least until Disney acquired rights to it) even though its main lead was a dull as an eraser head. Sure, the series had a handful of notable episodes, but at the end of the day, you just spent 30 minutes watching the trials and tribulations of a pre-pubescent boy with nothing all that interesting about him, but just happens to have substantial enough people surrounding him that you were fooled into thinking such.

Of the handful of notable things about title character Doug, one most people would remember was that he constantly wrote in his journal about his everyday mundane life—including his super secret crush on Patti Mayonnaise—you know, the one that he would constantly bring up, no matter what the situation. You know those overly chatty guys that can’t help but brag about having a girlfriend? Now imagine that except he doesn’t even have anything to brag about, leaving nothing but long rants about longing and the like from an 11 year old. I only hate the kid more when I realize I’ve gone through such a stage myself.

2. Bakemonogatari (Ghostory)

Okay, heading into more obscure turf now. Released in 2009, Bakemonogatari, based on the light novels of the same name, would be considered a harem-genre anime if it weren’t for the fact that it’s so self aware of the fact that it takes on certain aspects of said genre and taking it in a slightly more dignified manner… well dignified in that you only get an average of one panty-shot per episode.

The story revolves around a recently-turned-vampire-then-turned-normal-again human, Araragi, who finds that a number of females around him have developed what he refers to as “oddities,” usually based on a type of old-school ghost curse. Every female in question always seems to be around our lead character at the most convenient of times that at one point the character himself asks if the sudden obtainment of a babe magnet was from his previous encounter with a vampire. It’s that kind of self-aware writing that makes the series for me… though also kills my perception of reality when I look up and am at an odds as to what to think when I realize I’m the sole guy in a study room full of girls.


“You wanna throw everything away and come with me?”

Okay, so my previous entries might have hinted at this. Like many have said before, this series calls for multiple viewings to even begin to understand what it’s about, but once you begin to piece things together and realize that it’s the basic story of guy meets girl at its core, it makes all those viewings worth it.

Comprised of only six episodes, the series revolves around 12 year old Naota, who’s become incredibly bored of his town and everything that happens in it… until a certain inciting incident in the form of female Haruko literally slams him in the face with something to talk about. Through the short series, you’re led to question Haruko’s true intentions with Naota and whether or not Naota’s decisions are actually right or not. In the end, you’re still unsure as to who would be classified as the series’ heroes and villains, but that’s what makes things that much more interesting and relatable. Of course, leave it to the most bonkers series out there to make the most sense when applied elsewhere.

Top 6 TV Show Episodes Based on Schoolyard Games

With school starting for me next week, I thought I’d do something a little different and combine two of my favorite past-times—TV and Top (Whatever) Lists.

Being the man-child I am, I’ve watched my fair share of cartoons and shows relying on adults that watched cartoons back in the day. And while there are plenty of unique and interesting shows out there, I have noticed something of a trend among the episodes I’ve enjoyed the most—they revolve around simple schoolyard children’s games. Besides the charm of creating an entire episode based on a game you used to play when you were younger, each of the following episodes does an excellent job of either wrapping everything up nicely, fleshing out the characters and how they interact with each other as a unit, or giving a ridiculous enough conclusion that viewers have no choice but to accept it.

So without further ado, here are my Top 6 TV Show Episodes Based on Schoolyard Games.

6. Salute Your Shorts- Capture the Flag (Season 2, episode 10)

In its short two-season run as one of the first handful of live-action shows on Nickelodeon, Salute Your Shorts is easily one of my favorite shows falling under the category of “those ragtag kids.” For the uninitiated, it’s based on the book Salute Your Shorts: Life at Summer Camp (similar to how Little Rascals stemmed off of Our Gang), and as you’d expect, covers life in summer camp from an all-boys cabin and all-girls cabin as they team up and go on ‘90s style adventures under the nose of clueless authority figure Kevin “Ug” Lee. Like most shows of the time, the main cast consists of your typical tweenage stereotypes—jock, pretty girl, trouble makers, book-nerd, eco-nerd, and straight man—pitting them together under a common setting to find out what happens when they stop being polite and start getting… oh wait.

As typical as the show is, I enjoy it for its on occasion quirky episodes. This time around, the gang plays a game of capture the flag, with stereotypical fat kid Donkeylips (one more reason to watch this show) disgruntled by the fact that the crew chose him along with his other less physically inclined companions to be on guard duty while the rest of them take the offensive and hunt down the opposing team’s flag. I honestly cannot count the number of times this has happened to me in my childhood and enjoy how the episode continues from there, with the offensive team all ending up captured and the others taking it upon themselves to save them and win the game. Predictable, yes, but oh so satisfying.

5. Rocket Power- Capture the Flag (Season 2, episode 15A)

Although most shrugged off this creation from Klasky Csupo Productions about a group of ragtag kids into extreme sports, the series did have at least some redeeming qualities.

The sibling rivalry between brother Otto and sister Reggie Rocket was one of the more major driving forces of the earlier episodes, with Otto always wanting to be the best at whatever sport he takes on, with his sister acting as the killjoy. Similar to the Salute Your Shorts episode of the same name, this Rocket Power episode takes the game of capture the flag, pitting not just the main cast, but some of the supporting cast, against each other when they run out of time during recess to finish the game and continue it to take place on the entire pier. Otto is glad to continue the game on a bigger playing field, until he falls prey to the sacred rule of being out until counting to ten in “real Mississippi seconds.” Besides being a great idea to follow through on your own, the episode stands out from the series, being one of the few to make use of all the kid characters in the show outside of the main cast. Sure, its premise comes off more as an excuse to use those characters more than anything else, but their interactions are much welcome.

4. Community- Modern Warfare (Season 1, episode 23)

For those losing faith in television sitcoms, watch Community. It takes the standard “those ragtag kids” genre and boosts the average age of the characters to their early adulthood. What is especially intriguing about the series is its writing. While every main character isn’t an exact archetype of what you’d expect, you forget that entirely due to the character Abed, who is in essence a troper, leading to a great majority of the dialogue being self aware, something that more shows would be better off being.

While the series hasn’t even started its second season, most will agree that Modern Warfare is a fan favorite… even though the story itself has been told numerous times before in other shows. The community college has become a warzone as everyone has entered a paintball competition with the grand prize being every college student’s dream: priority registration for classes. Besides the horrors of war being depicted in an unexpected form, the episode also plays up the dynamic of the cast as a unit, seeing if deception and manipulation will be enough to break them. But, as always, what ultimately makes the episode is Sr. Cheng.

His presence alone makes me wanna run off to Kinkos and make a poster-sized copy of this.

3. The Weekenders- Pudding Ball (Season 1, episode 7B)

The Weekenders was basically Disney’s Recess except taking place on the weekends, which turned away most viewers while it aired during the latter run of Disney’s One Saturday Morning cartoon block. But while the show was of the “those ragtag kids” type, it was far from your standard one, and like Community after it, was incredibly self aware. On one occasion, the cause of everyone’s problems was actually solved by merely analyzing a TV show episode with a similar plot and acting accordingly—definitely not your run-of-the-mill show.

The name of the game is “Pudding Ball,” which is basically paint ball using leftover pudding from the soon out-of-business pudding-filled hot dog company. The game starts off simply enough, with the group unwillingly split into two competing amongst the entire community. And while the game’s prize isn’t as cherished as priority registration, that only makes their obsession over the game worse. The chemistry between each of the characters is great to say the least, which makes it that much more disheartening once you see it diminishing with each pudding ball throw.

And of course the one to suffer the most from this pudding ball obsession isn’t any of the kids, but the unwillingly stuck-in-the-middle Coach Colson as voiced by none other than Phil LaMarr (Futurama’s Hermes among other roles).

2. The Office- Office Olympics (Season 2, episode 3)

I’m not the most avid viewer of The Office; it’s not like I don’t enjoy the show or anything (I use dry humor in my everyday vernacular), but I just feel like I can’t fully appreciate the show unless I’ve experienced a mediocre life in a cubicle firsthand—it’s the same reason I don’t normally read Dilbert.

Of the handful of episodes from the series I’ve seen, this episode always seems to be on… not that I’m complaining. Steve Carrell’s character and his sidekick of sorts, Dwight, leave the office for the day to house shop. The entire workplace unattended, the office workers decide to go all-out and have an Office Olympics, consisting of all the menial games they get away with doing while working minus the fear of actually being caught.

From what I’ve seen of the series as a whole, focus is clearly more on certain characters over others, so I really enjoyed this episode for making use of the full cast, having everyone interact with everyone else. Not only that, but the way the Office Olympic’s story ties together with Carrell’s House Shopping story works out so well that you can’t help but smile at the end of the episode. Golden yogurt lids for everyone!

1. The Boondocks- The Red Ball (Season 3, episode 3)

Aaron McGruder’s newspaper-comic-gone-TV-series has always faced an uphill battle in that a majority of the content was just too controversial for television, resulting in only a handful of good episodes in the series’ first two seasons. With cancellation looming near, though, it seems as if McGruder’s finally hit his stride with season three, finally covering the perfect balance between entertainment and political/race commentary.

The merry little suburb of Woodcrest is in economic crisis as all its money is gambled in a game of kickball between its sister city, Wushung China. That said, a (you guessed it) ragtag team of misfits in basically all the main and supporting cast of the series is brought together to take on the incredibly skilled Wushung kickball team. Even ignoring the nods to anime action scenes during the actual game, the episode excellently makes use of every character in the series, each of them making use of their shtick when the plot calls for it making even the most despicable of characters enjoyable in their moment of truth. Oh, and I guess there’s something in there about how world leaders take advantage of their people in meaningless scuffles, too.

But who could pay attention to morals when a gust of wind is summoned from a kickball?

Now Available on Home Video

While some kids argued over console wars between Nintendo, Sega and the like, I was more of a TV network kid myself, taking sides in terms of which shows I preferred on which cable station. That said, I was more of a Nicktoons kid growing up, over a Cartoon Network one. And while as of late, both networks are experiencing some definite lows, I will say that at the moment, I’m sure wishing I took CN’s side when growing up if only for one reason: Season Sets.

Nickelodeon, like most things awesome, had some pretty humble beginnings, though most will most likely begin its history starting off with its various reruns of older cartoons previously aired by channels like ABC, NBC and WB. For quite some time, that was how afternoons on Nickelodeon would be, mixing in shows like Garfield & Friends with Inspector Gadget and The Charlie Brown and Snoopy Show. Though, that’s not to say that they aired these shows exclusively, with the network kicking off in August 8, 1991 with three completely new shows of their own to accompany the vet ‘toons: Ren & Stimpy, Doug, and Rugrats. With this, soon came about Nicktoon hits that would carry the company for years to come.

As the concept was with television shows in general at the time, the more popular shows were given VHS releases, collecting only a small number of episodes from a television series, perhaps under a common theme (friendship, the beach, holiday specials, etc.) with only the most upper-crust of shows really getting a full-on season set release—reasonable enough, considering how many tapes were needed for merely one season of a show. Fast-forward to the late ‘90s and early 2000’s, when DVDs made things simpler for everyone, especially TV show collectors.

With the dawn of DVDs, it felt as if a heavy burden was lifted off of most TV shows’ shoulders, most of them practically guaranteed a DVD season set, even in the case of their cancellation. Though even then, it still felt as if live-action shows were given this treatment, with a majority of animated shows having yet to get the sort of release treatment even the worst of live-action shows have received.

In Nickelodeon’s case, the number of complete season releases can be counted on one hand. Most notably, would be Nick’s two main cash cows as of late: Spongebob Squarepants and Avatar: The Last Airbender, both receiving not only complete season DVD releases, but complete season releases with quite the plethora of bonus content just to make the purchase that much more worth it. But what about Nick’s older titles out there? Surely they’re fully aware of their ever increasing library of shows to make some serious bank out of, right?

Enter Nickelodeon’s “Rewind Collection”—a short-lived run releasing season sets for Nick’s older live-action shows (in particular Clarissa Explains it All and The Adventures of Pete and Pete). Being cancelled after Clarissa’s first and P&P’s second season release, failure to sell as well as Nick’s newer titles has been chalked up by fans to bad marketing, with most fans still unaware that such releases exist.

Sadly, the same fate is can be said for Nick’s attempt at entering the digital marketing world, making their older releases available via online retailers. While select Nicktoons and live-action Nick shows out there have been granted “limited run” season set releases such as Rugrats, Hey Arnold, and Danny Phantom via amazon’s website, being “manufactured on demand using DVD-R recordable media” this basically shows the lack of confidence Nick has in their older titles selling well, only making as many DVDs as ordered by consumers. And even then, checking amazon’s listings, it looks like it’s been a good year since one of these releases has come about, leading to the assumption that such releases have been stopped completely.

As for Nick’s iTunes releases, it seems like one gigantic step back has been taken, sticking with not season set releases, but common theme releases, similar to the VHS releases. And while a good majority of the better episodes have been released via “Best of” compilations, it still irks “completionist” collectors out there that figure that the reason for such a release style was more than likely due to some of the more “out there” series (Angry Beavers, Rocko’s Modern Life, etc.) having some episodes featuring some suggestive dialogue/material; “Best of” releases has become a way for Nick to handpick just exactly which episodes may be released and which one’s won’t.

Also taking into consideration the lack of special features as well as strict retail price (you can’t exactly get a “used” digital copy for a lower price) it is clear that Nick isn’t exactly doing their best in selling their older titles to mass markets. Though, I will admit that the limited amount of downloadable titles is worth the purchase, considering it’ll be more than likely that it’ll be more than likely that a release with special features won’t be happening any time soon.

Compare that 838 words worth of Nickelodeon nonsense to Cartoon Network’s line of releases.

CN’s line of home releases started off similarly to Nick’s with VHS releases of select episodes. However, once DVD’s started becoming the norm, CN took a somewhat different route than Nick, actually having the gall to take the same route as live-action series nearly from the get-go and releasing season sets. However, like Nick, it seems as if a lack of hype surrounding the releases led to a short-lived run, with only a ragtag select series like Ben 10, Foster’s Home for Imaginary Friends, and Ed, Edd ‘n’ Eddy getting such treatment.

As of late, newer shows on Cartoon Network have been released in volumes, releasing episodes from the series in order in single disc releases—a step up from “common theme” releases, but still nowhere near as efficient as season releases.

June 19, 2007 marked the release of the first season of The Powerpuff Girls, one of CN’s most popular original shows. With such a release, it only made sense to anticipate other shows from that era to receive the same treatment of release. However, with the second and third seasons of PPG cancelled, it seemed as if marketers were hesitant to delve into the older realm of cartoons. Though considering that in January 20, 2009, PPG was released in a complete series set, one can only guess what’s going down in corporate-land.

In terms of online releases, however, it seems as if CN has been more lenient in terms of releases, with full season releases of CN shows both old and new. Lately, the trend has also come back to Cartoon Network’s DVD releases, with Johnny Bravo, the first CN season set to be released under the “CN Hall of Fame” label last month, with Courage the Cowardly Dog and Dexter’s Laboratory having set release dates later this year. And while these series are available in their entirety on iTunes, the promise of at least some special features makes these releases worth the buy.

As the release label suggests, the “Hall of Fame” releases finally presents Cartoon Networks’ original shows—the shows that put them on the map and defined the channel for years—in a manner showing not only respect for the series themselves, but confidence that the series will sell well. Hopefully, Nickelodeon will wise up soon enough, ‘cuz YouTube clips and torrents just aren’t cutting it for me.

DBKai: Back with a Vengeance?

In a day and age where anime have left a majority of American cable networks, I guess it’s only suiting to talk about one of the return of a series that helped pave the way for other series like it—Dragon Ball Z.

Beginning its run in the states in the mid-nineties, DBZ soon became a hit, becoming one of Cartoon Network’s most prized possessions originating from Japan, leading to action cartoon block Toonami airing other anime, such as the Gundam series and even more light-hearted works like Hamtaro. But as popular is it became, DBZ has always suffered for being one of the pioneering anime to hit the states. As expected, excessive violence as well as some language and suggestiveness at times has led to major visual and audio edits, also pertaining to the dubbed script itself. Also being the sequel to its predecessor series Dragon Ball, multiple instances in the plot have called for prior knowledge which wasn’t accessible to American audiences for the longest time, leading to people having to fill in the blanks themselves. Add to this hokey voice-acting and you’d think the series wouldn’t last a month on cable TV.

Well, it’s been a good seven years since the final episode of DBZ aired on American TV, and the series is back for more in the form of Dragon Ball Z Kai on Nicktoons Network. You’d think after so long, there would be less nonsense to deal with, but with this being another DB series and it being American cable, new forms of nonsense have wormed their way through.

First off would be the title itself. Dragon Ball Z Kai is better known outside the US as Dragon Ball Kai, and started airing in Japan (on the 20th Anniversary of DBZ’s original airing, no less) in April of last year. Although being tagged under a new name, the series itself is simply a re-editing of the older series Dragon Ball Z, taking footage from that series and cleaning it up a bit, re-tracing some scenes where deemed necessary (read: “at random”) and removing a majority of filler scenes. Having taken footage from a series that originally started broadcast in 1989, the footage was animated in fullscreen 4:3 format. However, since the norm for all Japanese Networks has become widescreen 16:9, Dragon Ball Kai has been aired in Japan in widescreen format. Furthermore, since this “new take” on the series begins in the “Z” portion of the series, viewers are again at a disadvantage, not knowing of a good chunk of plot information from the original Dragon Ball with exception to the handful of scenes spliced in as flashbacks. Never have I used the term “hot mess” in my daily vernacular, but I think it fits oddly well in this case.

As you may be led (and correct) to believe, my own personal thoughts on Kai aren’t exactly the best. While it does a good job of keeping the series in the public eye, the fact that all footage is ultimately originating from a series I’ve already seen hundreds of times before is a complete turn-off. In defense of the series, though, I will say that it makes the franchise as a whole that much more accessible to non-fans, condensing the series significantly without losing any material vital to the plot. Personally, though, I’d have been much more appreciative of a complete re-working, animation and all. I mean, if Fullmetal Alchemist can do it, I don’t see why the DB series (er, “series-es”) can’t do the same.

… ask me about its airing in the US, though, and you’ve got a completely different opinion.

Although the series is again being heavily edited for violence at times, I must say that as a whole, I thoroughly enjoy watching Dragon Ball Z Kai on Nicktoons Network. Edits done for DBZ back in the day were horribly obvious, with newfangled things like digital paint and the like being incredibly easy to spot out in the old footage that DBZ is. So while things like the re-coloring of beer to resemble water, or putting dirt and scratch marks where blood used to be tarnishes the series, at the least it’s not so noticeable this time around. Furthermore, the release schedule for the series on DVD and Blu-Ray is at a much better pace than back in the days of Toonami, when 3-episode-count DVDs would be released years before US airing in the worst of cases. And even then you would have to be a heavily informed consumer, knowing that both an edited and uncut version was available. This time around, home distributor Funimation has made things much easier, releasing the series in 13 episode chunks, all uncut (and in their proper 4:3 aspect ratio, which is a step up from Japan for once) and available in either dubbed English or original Japanese, leading me to my next pro of watching the series.

While edits could be avoided simply by purchasing an uncut copy of the series, back in the day the English script was so horribly inaccurate when comparing it to the original Japanese script that watching the series in either language made for two incredibly different viewing experiences. While the gist of some things were kept, details and direct lines spoken by characters led to the most nightmarish of online arguments between people claiming to know the series. Thankfully and appreciatively, such is no longer a problem, as the script itself has remained intact for this new series, with a majority of the cast kept from the previous series. Now, in the 13-ish years Funimation’s own voice cast has been working on the series, some serious improvement has gone down, the cast finally having broken-in to their characters to the point that what comes out of each voice-actor’s mouth is more natural sounding and less “Saturday Morning Cartoon.” The Goku in voice-actor Sean Schemmel has developed, finding a respectable norm between poster boy superhero and home-grown hick; Chris Sabat as Vegeta has well separated himself from the gruff wrestler voice of episodes past, developing a more natural deep tone.

On top of improved old voices, re-casting for several characters has led to much fan-appreciation (well… for the most part). Colleen Clinkenbeard, known in more recent works as Luffy in Funimation’s dub of One Piece, takes over as the new voice of Gohan, finally providing a suitable voice for who is supposed to be a toddler. But what is probably the kicker for most fans is the re-casting of Freeza, from Linda Young to Chris Ayres. Gone is the elderly woman with a voice-scrambler and much welcome is the calm, calculating effeminate male voice people have long given up on. And while heated debate goes on in the fanbase, further splitting people from “subbies vs. dubbies” to “subbies vs. old dubbies vs. new dubbies,” I could honestly care less—seriously these voices are crazy awesome with a matching script, t’boot—what more can you ask for given what’s given to work off of?

Dragon Ball Z Kai is currently airing on Nicktoons Network, Monday through Thursday at 5 and 8 PM, making at a crazy good pace, more than likely ending the Freeza Saga around the end of July. So take a load off of that summertime idleness, sit back and relax with your TV dinner to the soothing tune of well-casted accurately translated burly men beating the ever-loving crap outta each other.

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